The Camera was an unmodified Arri SR1. The Telecine employed was a Cintel Turbo3 with a Teranex. We adjusted the scanner framing to crop a little of the image from the top and bottom of the 16mm frame in order to fill a 16:9 aspect ration. Cinematography was framed in anticipation of this cropping. The footage was captured directly into Final Cut via a Kona3 card.