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Regular 16mm to HD Scenes

The Camera was an unmodified Arri SR1. The Telecine employed was a Cintel Turbo3 with a Teranex. We adjusted the scanner framing to crop a little of the image from the top and bottom of the 16mm frame in order to fill a 16:9 aspect ration. Cinematography was framed in anticipation of
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May 19, 2011
by Cinepost
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16mm, 16mm film, Arri, color, color correction, film conversion, film to digital, film transfer, flying spot scanner, HD, Main Menu, Posthouse, Rank Cintel, Telecine, Wetgate

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CINEPOST NEWS

Overexposed film - balancing color
Sep 05, 2018
Faded Blue Film
Faded Blue Film
Jun 20, 2018

RECENT TRANSFERS

4K scanner with 35mm Wetgate
Aug 28, 2019
Super16 workprint to 2k
Aug 28, 2019

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Cinepost
2160 Kingston Ct.
Suite N
Marietta, GA 30067
p. 678.238.0800
e. info@posthouse.com