News

In this example, we have some outdoor footage that is severely overexposed and tinted blue. We decreased the highlights and blue levels while adding some mid-range. We go from washed out to blue skies

Whenever we transfer film for a client we always use the DaVinci color correction system to balance color levels. Sometimes we get a film that’s severely faded and needs intense correction to lo

We recently transferred some films for the Luehrmann family. The film, titled “Timeshared Computer Graphics”, details Arthur Luehrmann’s early work with computer-generated imagery, c

Check out what Guitar World had to say about the Fender Guitar Factory footage transferred by CinePost: http://www.guitarworld.com/gear-viral-videos/forgotten-guitar-inside-look-fender-factory-1959/28

CinePost recently had a client with some film that suffered from mold/fungus. It shows up as spidery snowflakes/spots and is very distracting. The results are never guaranteed, but we’ve develop

TCM worked together with CinePost and composer Robert Israel to showcase a collection of short comedy films done by Hal Roach studios in the 1930’s. The films were scanned at 2k resolution befor

Cary Roan has chosen CinePost to restore his new 2K version of “White Zombie” (1932). Over 150 hours of restoration went into this project. The team at CinePost performed extensive editing

At CinePost we are always experimenting with new techniques that enable us to provide what our clients ask for. Many times we push our machines to the limit and tread in uncharted territory. Recently