In this example, we have some outdoor footage that is severely overexposed and tinted blue. We decreased the highlights and blue levels while adding some mid-range. We go from washed out to blue skies and color that appears lost returns. We’re not always able to make this much of an Read more
We recently transferred some films for the Luehrmann family. The film, titled “Timeshared Computer Graphics”, details Arthur Luehrmann’s early work with computer-generated imagery, commonly referred to as C.G.I. these days. The film was badly faded and red, which is an issue we see frequently with prints from the 1960s and ’70s. Read more
Outtakes taken from the first version of A SELF-MADE FAILURE shot on Super 8, starring “Dizzy” Daniels. After shooting 80 minutes of footage everything was scraped, and re-shot in 16MM (like CLERKS and EL MARIACHI), with all new actors. Some of these scenes were never re-shot for the feature length Read more
This Super 8mm film had been soaked with water during a flood. The film was hang dried and then brought to CinePost to be restored. We ran it through the Wetgate system and applied DaVinci color correction, even we were amazed by the results. Usually water destroys film, but if Read more
Super 8mm Kodachrome super8 “Alligator Wrestling”
CZ Jawa 31st International Six Day Trial at Garmisch-Partenkirchen, West Germany
Arri SR1 regular 16mm negative Vision 200t, transferred to ProRes HD files via a Cintel Turbo telecine at CinePost in Marietta, GA
Some 8mm footage we found recently with some music for fun.
The Camera was an unmodified Arri SR1. The Telecine employed was a Cintel Turbo3 with a Teranex. We adjusted the scanner framing to crop a little of the image from the top and bottom of the 16mm frame in order to fill a 16:9 aspect ration. Cinematography was framed in Read more